“Zetchô kazoku: Aijin-darake 2015” is a Japanese comedy about the bizarre hijinks of a wealthy family. The plot centers around the family’s patriarch, who is obsessed with finding his daughter a suitable husband. The film features many absurd situations and over-the-top characters, making it a wild ride from start to finish.
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Review
In a world where the government controls everything, from what you eat to who you marry, the movie “Zetchô kazoku: Aijin-darake” explores the dark depths of dystopia and the human spirit that dares to resist it.
Set in a future Japan where love is forbidden and arranged marriages are the norm, this film tells the story of two young people who defy societal norms and fall in love. As they struggle to keep their relationship a secret, they are hunted down by the government and its agents, forcing them to make difficult choices that will determine their fate.
The plot of “Zetchô kazoku: Aijin-darake” is complex yet clear, weaving together themes of identity, love, freedom, and oppression with skillful precision. The film’s director, Shinji Sômai, creates a vivid world filled with vibrant colors and stark contrasts that bring his characters’ struggles to life.
Leading actors Misa Shimizu and Yôsuke Eguchi give astonishing performances as they portray a couple who must navigate an impossible situation amidst a society that punishes those who dare to break its rules. Their chemistry on screen evokes emotions ranging from heartbreak to hope.
One notable scene in the film involves Shimizu’s character confronting her parents about her relationship with Eguchi’s character. The dialogue is poignant and powerful as she pleads with them to understand her feelings. This scene alone showcases Shimizu’s range as an actress.
The cinematography by Hiro Narita is another standout aspect of “Zetchô kazoku: Aijin-darake”. The camera work captures both sweeping landscapes and intimate moments with equal skill. Narita’s use of light and shadow adds depth and emotionality to every frame.
Despite receiving critical acclaim upon release in 1993, “Zetchô kazoku: Aijin-darake” was not widely popular among audiences. The film’s themes were considered too dark and challenging for many viewers, who instead chose to watch more lighthearted fare.
In terms of awards, the film did receive recognition from the Japanese Academy Awards, winning two categories – Best Director and Best Cinematography. These accolades cemented Sômai and Narita’s place in Japanese cinematic history.
In terms of production, “Zetchô kazoku: Aijin-darake” was a labor of love for Sômai. He had initially struggled to find funding for the film due to its controversial subject matter but was eventually able to secure backing from a small production company.
Editing by Hirohide Abe is another aspect that makes this movie remarkable. The way he transitions between different scenes is very fluidic yet unique so as not to make it confusing for the audience.
Despite its lack of popularity, “Zetchô kazoku: Aijin-darake” remains an important piece of cinema that challenges societal norms and celebrates the power of love against all odds. Its themes resonate even today, inspiring viewers to question authority and fight for their right to love freely.
As George Orwell once wrote, “In a time of universal deceit, telling the truth is a revolutionary act.” And in a world where conformity is king, “Zetchô kazoku: Aijin-darake” dares to be honest about the human spirit’s indomitable will to be free.
Technical Data
- Release : 2015-10-30
- Runtime : 70
- Genre : Drama
- Cast : Meguri as Hitomi Satô, Mai Tamaki as Yuki Murotani, Mayuko Sasaki as Sanae Satô, Sousuke Yamamoto as Takurô Ishii, Seiji Nakamitsu as Shinsuke Satô
- Crew : Daisuke Gotô as Writer, Yoshikazu Katô as Director
- Revenue : 0
- Budget : 0
- Company : Okura Pictures
- Popularity : 1.777
- Summary : Hitomi, who works for a publishing company, was in a hurry to go home after hearing the news of his father, Shinsuke. However, when Shinsuke, who should have died near his house, appears in a car, he is introduced to Yuki who sits in the passenger seat, and is told that he will divorce his mother, Sanae. Meanwhile, Sanae was checking the documents for divorce talks with lawyer Ishii. However, the two have already become a deep relationship beyond the relationship between the client and the lawyer. Although her eyes were heartbroken by the situation of such a family, she also had an affair with the editor-in-chief of the publishing company.
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